Sometimes I want to save a soon-to-be-discarded vocal for reference, etc. Sometimes I just want to do a quick mix of some little mistake or variation with a different MIDI instrument that I want to listen to again later. allowing you to leave your DP project intact and to carry on working.
Users guide to audio hijack pro#
plus it means recording unnecessary audio to the hard drive.Īudio Hijack Pro allows you to capture exactly what you are hearing, and save it immediately into whatever file format you want. I suppose it might be simpler if one had set up their template with all these routings before-hand, but I have hundreds of DP projects, and each would have to be reconfigured to quickly mix down in this way. While it may be relatively simple once figured out, it is still unnecessarily time consuming when all you want is a quick scratch mix of the very thing you are listening to. The trouble with all this fiddling around with busses, is that you have to change things one way and then change them back to keep working, and there is WAY TO MUCH thinking involved. I appreciate your taking the time to describe the process, but it really is a bit of a process. I have been meaning to respond to your posting of this method in the other thread. Assign your Audio, Aux, and Master tracks to a stereo bus (call it Mix Bus), etc. Wurliuchi wrote.but you can do all this within DP. Thanks for all your hard work in keeping this forum going and in order. Any moves you make to any of the tracks will be recorded.
Users guide to audio hijack Patch#
Turn it off for playback or turn off Audio Patch Thru.) (This track also needs to have its Input Monitor turned on or you won't hear what you're doing. Create a new stereo audio track and set its input to the Mix Bus, set its output to whichever output goes to your monitors (Mains or whatever). Make sure the Input Monitors are on for any of the audio tracks that are receiving signals from outboard MIDI instruments. Make sure you include the audio tracks that your outboard MIDI instruments are input to, and the virtual instrument tracks. Assign your Audio, Aux, and Master tracks to a stereo bus (call it Mix Bus). I've mentioned this just recently, but you can do all this within DP. It's sort of old school for me to have a mixdown deck and listen as it's going down. fun stuff! Very cool! Also I suppose I could have Alpha Track on the main bus and do realtime fade outs, etc. it would save me from having to render MIDI tracks as audio and make realtime mixes.
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